While it could be argued that just about any place on earth
is a meeting point for various cultures, there are a few places in the world
that represent what I see as “macro” cultural meeting points, where ideas from
widely different cultural spheres come together. Often, these cultural entrepôts
are more important for the flow of ideas out of them into the various cultural
heartlands that mix in these cosmopolitan centers. Cities such as Beirut,
Istanbul, Shanghai, and St. Petersburg all come to mind. Harbin, the provincial
capital of the northeastern Chinese province of Heilongjiang, is such a
cultural meeting point.
If I properly understand the history of Harbin, the city
itself was founded by Russian traders and officials in the late nineteenth
century, after the treaties of 1858-1860 that opened much of China to western
trade (similar treaties gave Britain, France, and other western powers similar
influence over areas of the eastern coast of China, including much of
Shanghai). The Russian influence is still palpable in the city center, not so
much in the sort of faux Russian
culture of the shops and restaurants geared toward the legions of Chinese
tourists, but in the distinctive fin de
siècle architecture that can be found in so many Russian cities. The
looming presence of St. Sophia church seems to represent the heart of both this
cultural meeting point as well as the contemporary city of Harbin. It stands at
one end of what was once the main axis of the town, the other end being the
railway station of the Russian-built Trans-Manchurian railway to Vladivostok.
A vanished world - Queen and Princesses of a Russian ball in Harbin |
Yet like so many things in these cultural meeting points,
the forms remain but they are indwelled with different meaning as time passes.
St. Sophia is no longer a church, but rather a museum exhibiting photos of old
Harbin from a distinctly post-revolutionary Chinese perspective. It seems to
serve as well as the symbol of this great Chinese city, adorning billboards and
even welcome signs at the airport. This warm Saturday morning found it serving
as the backdrop for several Chinese couples in their western-style wedding
finery. It remains a meeting point.
St. Sophia Church and the central square of Harbin |
While the influence of Harbin in the flow of ideas between
west and east in the late nineteenth and early twentieth century pails in
comparison to such centers as Tianjin and Shanghai, it served as an important cultural
entrepôt
between Russia and China, with influence flowing in both directions as the two
societies came to know one another. It remains, perhaps, such a meeting point.
Russians seem to be about the only “western” tourists that I see, representing
perhaps one in every thousand Chinese faces in the city center. While the odd
translations and brick-a-brack of the “russkie firmy” (with frequent
misspellings, I have to add) may represent a largely vanished Russian culture,
the legacy of this intercultural mixing remains strong in booming, globalizing
Harbin.
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